Adriaan Van Aken text, concept, director
Philip Paquet drawings
Joris Caluwaerts Music
Sara Vertongen play, translation
Inne Eysermans title song
Kristof Van Perre en Adriaan Van Akenvideo editing and FX
Geert De Vleesschauwer video, light design
Thomas Verachtert light design
Bregt Janssens Sound
At Edinburgh Fringe LAST CALL is presented by HET NIEUWSTEDELIJK, BIG IN BELGIUM, RICHARD JORDAN, THEATRE ROYAL PLYMOUTH
Last Call is the English version of Dansen Drinken Betalen – (almost) The Movie. It is in fact almost a movie. But it's also a lot more than that. Playwright and theater director Adriaan Van Aken and graphic artist Philip Paquet transformed their new comic book into a dynamic video projection for the big screen. Live on stage, actress Sara Vertongen and keyboard miracle Joris Caluwaerts (well known Belgian pop bands Zita Swoon, Stuff, Magnus,...), add voices, sounds and music to the graphic story. Result? The most vivid and at the same time most comfortable reading of a comic book that you could ever wish for
Last Call is an engaging example of the multimedia direction that theatre is going. **** Catherine Lamm in British Theatre Guide
The interplay between music, speech and projection is flawless, the art is beautiful and atmospheric, and overall this is a slick, stylish production that ends with satisfyingly frustrating ambiguity. **** The Edinburgh Spotlight
It is beautifully paced by writer/director Adriaan Van Aken, relying on projections from the novel itself, which seem to stalk Sara through the night with both playful and sinister intent. *** Andrew Latimer in Fest
This production is a masterclass in mixed media fusion: Joris Caluwaerts' live musical score is evocative and lyrical, Philip Paquet’s drawings brim with attitude and menace and Sara Vertongen’s voicing of the central protagonist is simply stunning – her voice clipped, measured, bristling with bile. She nails this character. She gets her. Jaw droppingly good – live acting rarely gets better than this.***** Roy Hutchins in FringeReview
Go see this. In fact, I suggest you make it the final show you see at the Festival this year. It will be something to take away with you that will really last. ***** Roy Hutchins in FringeReview
This is a truly unique performance and one that lives long in the memory. The hour zips by, and the performance ends at a moment that leaves you wanting even more. A testament to the skill of both the theatre maker and graphic novelist, Last Call is an entrancing and memorable piece of performance. **** 1/2 David Doyle in ReviewsHub
Sultry, sophisticated and unutterably cool. *** David Kettle in The List
Sara Vertongen veers from quiet and dreamy to raucous and challenging as the narrator, using her own expressive translation from the original Dutch, while Joris Caluwaerts accompanies on lush processed acoustic piano and fuzz guitar. *** Nick Awde in The Stage
Last Call is an original piece of visual storytelling. It is refreshing to see someone use the language of comic books and marge this with a theatre performance to present a mature and thoughtful story. No superheroes are referenced and no typical over the top comic book tropes are called upon. Last Call is pure storytelling using sequential images and a lot of imagination. ***** Steven Fraser in TV Bomb
An inspired piece of late-night programming for its neon-streaked, after-dark tone, this graphic novel show from Belgian company Het Nieuwstedelijk builds an air of unassailable hipster cool in its telling and in its tone.**** David Pollock in The Scotsman (header: "Graphic Novel is a Page Turner)
Yet what elevates the piece in its sheer quality, from the appropriateness of the music to the technical navigation of the pages on the screen, to - in particular - the wonderful range of captivating humour and emotion with Vertongen’s performance adds. **** David Pollock in The Scotsman (header: "Graphic Novel is a Page Turner)
Adriaan Van Aken (1973) is the most hybrid theatre maker of the company. He combines text and music with audio and video techniques. Apart from theatre, he also makes audio plays and comic books, mostly with a theatrical twist or ways to make a live experience out of it. It's not so much theatre that he likes. He loves 'the stage' in general. That's why his work can also be seen in music clubs, libraries or hybrid arts festivals.
Picture: Adriaan Van Aken & Sara Vertongen (by Maarten Devillé)
Dansen Drinken Betalen is the title of the third comic book that Adriaan Van Aken has made with illustrator Philip Paquet. It's the third album that contains a CD. In the first two albums, the CD contained music to go along with the graphic story, following the reader's reading pace. In their latest album the comic book only gives the reader the images, while text and music are on the CD in the back. The audio play can also be enjoyed without the book. But when you combine both, you see and experience the most. Dansen Drinken Betalen - (almost) The Movie, now translated into Last Call, is the live version of this graphic novel + CD. The images are projected on a big screen in a nice and dynamic way while music and voices are performed live. We call it 'almost a movie' - it even has (James Bond-wise) a classic 'theme song' by Inne Eysermans (well known Belgian pop band Amatorski) to go with it - but of course the live experience makes it a lot more just a movie. In 2017/2018 Van Aken, Paquet and musician Joris Caluwaerts will be working on a new, completely digital audio-based comic book, that will go by the name of First Contact. It's an application for iPad and other tablets. Viewers will be able to watch the book as a video or to experience it chapter by chapter in an interactive way. The live version will be ready in december 2017.
You can read, listen and enjoy the Dutch version of Last Call on itunes. Do it. Just to get an idea of the feel. We bet you like it. Go there now